









| Style, film format | 35mm half-frame zone focus, autoexposure |
| | |
| Lens, shutter | Coated f/2.8 30mm Solinar, Compur shutter |
| | |
| Photo quality | Very nice |
| | |
| Ergonomics | Wonderfully cute, but take care with the front-mounted shutter release. |
This little Agfa arrived in 1963, right around the time that half-frame photography underwent a resurgence of sorts.
Half-frame photography had been around for decades, and in the 1960s, a new wave of cameras appeared on the market. Among the greatest was the Olympus Pen FT single-lens reflex system.
However, the Germans weren't sitting on their hands at this time. Agfa offered up three half-frames, according to several Internet sites. This one, the Optima-Parat, apparently was the premium model.
The Optima-Parat featured autoexposure (a novel feature in the 1960s), a Solinar lens, Compur shutter and a sleek body. It was a winning package.
nampak sket2 kan camne kamera ni..ah ha...kisah aku nak dpt kamera ni, adlh dr sahabat baik aku, azril anakPaklahCikbun...ketika beliau tergila2 kan dslr, bleh kata lebih 7bijik kamera film telah di exchange n di trade ngan system butter yg saksama n penuh dedikasi...camera ini azril tawarkan utk tukar dengan flash kalau xsilap...hehe.flash sbijik aku dpt 3bijik kamera film...
kamera ini dtg solid dr germany...kamera ini half frame bermakna 36keping kali 2..so, kalau shot dapat la 72keping...hehe..bestkan, tp kopak sket la kl nak develop n print...
agfa optima parat antara brg kesayangan aku yg xkan ada dlm list ragu2 utk dijual...okay, aku dh xtau nk cerita ape, ade skrg pertanyaan bleh komentarkan di ruang komen yaa...
bubui :)




| Maker: | Nippon Kogaku K. K. |
| Type: | 35mm film SLR |
| Lens mount: | Nikon F lens mount |
| Focus: | Manual focus |
| Exposure: | manual 60/40 center-weighted |
| Flash: | ISO standard Hot shoe |
| Frame rate: | manually winded |
| Dimensions: | 142 × 57.5 × 89.5 mm |
| Weight: | 590 g (21 oz) |
| Made in: |



Le Ricoh AD-1 est un étonnant appareil photo.
C'est un des rares appareils qui comporte un moteur mécanique à ressort, un système de datage ainsi qu'un objectif de 35 mm.
Un large bouton placé à la base de l'appareil sert à mettre le ressort du moteur en tension. Ce système est capable d'entraîner le film sur environ 15 images sans besoin de retendre le ressort. Les prises de vue s'effectuent soit en mode rafale soit en mode coup par coup. Le bruit du moteur est bluffant car rien ne le distingue d'un moteur électrique. Effet garanti!
Le système de datage est débrayable. Un petit commutateur jaune placé sur le dessus de l'appareil doit être positionné sur DATE pour activer le datage. Un petit témoin de rappel du datage activé D s'allume lorsque le déclencheur est enfoncé à mis course. Deux petites molettes sur le dos servent à choisir le jour et le mois alors que l'année dispose d'un petit sélecteur rotatif sur le haut de l'appareil. Chaque molette dispose d'une position sans marquage et de ce fait on peut très bien l'utiliser aujourd'hui pour enregistrer le jour et le mois sans l'année car cette dernière était prévue de 79 à 93...
Un petit poussoir B.C. placé à l'arrière de l'appareil permet de tester l'état des piles. Le témoin D du viseur s'allume si l'état des piles est correct. Ce témoin est aussi utilisé pour vérifier que le datage est activé.
L'objectif est un original Color Rikenon de 35 mm f/2,8. Cet objectif réalise de superbes photos. La mise au point s'effectue par échelle des distances. 4 repères de zones sont disponibles pour faciliter le réglage de la distance entre l'appareil et le sujet. Sur la bague de mise au point, en regard de ces repères, il y a une échelle des distances en mètres et pieds pour une mise au point plus précise.
En conclusion, le Ricoh AD-1 est un appareil photo compact qui produit des photos de qualité dont le principal intérêt est le moteur d'entraînement du film qui en fait toute son originalité. A noter que parmi les compacts, il est un des rares appareils photo avec un objectif de 35 mm. Le seul reproche qu'on pourra lui faire est l'absence de contrôle manuel de l'exposition qui aurait pris tout son sens avec le moteur mécanique...
| Spécifications | Ricoh Co., Ltd. No. 14-6, 6-chome, Ginza, Chuo-ku, Tokyo, Japan. | |
|---|---|---|
| Camera Type | 35mm full frame compact camera with EE aperture control | |
| Film Format | 24x36mm | |
| Lens | Rikenon 35 mm f/2,8 (4 elements, 3 groups) | |
| Accessory Size | 46 mm | |
| Focusing Range | 1 m to infinity | |
| Shutter Speeds | 1/30 ~1/250 sec. | |
| Exposure meter | Single CdS cell located above front lens element, programs shutter and aperture selection | |
| EV Range | EV 8 (f/2,8 @ 1/30 sec.) to EV 17 (f/16 @ 1/250 sec.) with ISO 100 film | |
| Film Speed Range | ISO 25 (DIN 15) to ISO 400 (DIN 27) | |
| Viewfinder Information | Yellow mark for sufficient light and red mark for insufficient light. Date inprinting mark/battery power check mark visible | |
| Focusing System | Distance scale with 4 zone focus marks | |
| Flash Synchronization | Built-in "X" synchronization at 1/30 sec. | |
| Film Loading | Multi-slip easy loading | |
| Film Advance | Automatic sprind advance by built-in spring motor, one full charge of spring advances about 10 ~ 15 frames | |
| Self Timer | Built-in with 8 sec delay | |
| Battery | two 1,4 volt silver-oxide batteries S76 | |
| Dimensions | 112,5 x 76,5 x 52 mm | |
| Weight | 395 g | |


The Smena Symbol (also marked "Смена Символ" "Smena Symvol", or called Cosmic Symbol) is a 35mm camera that features a LOMO T-43 40mm f/4 coated triplet lens. It was produced from 1973-1993 by LOMO in Leningrad (now St. Petersburg), Russia. Production estimates are in the 10s of millions.
In essence, the Symbol is an improved Smena 8m with a film advance lever (replacing the knob) coupled with shutter cocking, which make the camera much faster and more convenient in use. Smoothly working shutter release lever replaced the crude button on top of the Smena 8M body, sadly the cord release socket was deleted. A flash is now synchronized by a hot shoe contact instead.
The lens - similarly to the Smena 8M - is equipped with symbolic scales: weather symbols as additional shutter speed scale, and the distance scale with distance symbols, meter values and feet values mixed. Below the lens tube is a second speed scale, a numeric one running from 1/15-1/250 + B. The weather symbol scale has a smart indexing system allowing double distance of the weather symbols compared to value distances on the numeric scale- that is, the weather symbols are apparently more widely spaced than the shutter speeds, which are on the same ring. The symbols are indexed by white squares appearing in holes beside the symbols; the holes are at two different distances from the body.
mngikut apa yg saya lihat pada smena symbol ini, ianya sama juga seperti Vilia lomo, seakan2 dan lebih kurang. cuma dinamakan symbol kerana terdapat weather symbol2 seperti awan, bangunan, matahari sbgai symbol utk memudahkan setting bagi mereka yg pening nak baca aperture n shutter speed...mgkin ini satu revolusi nak kasi peminat lomo lebih girang.ekeke..ayat ngko doi....loikk...okeh...susah senang jatuh bangun, belasah je la..janji layan...
love analogue camera :)


このカメラもスメハチ同様絞って撮影すると非常にシャープな写りをします。そうそう、一本目のテストの時、最後の方になって急にシャッ ターの調子が悪くなりました。レリーズボタンを押してもシャッターが切れず、勢いをつけたらたまに切れたりしてたんですけど、最後はうんともすんともいわ なくなって、結局交換してもらいました。鈴木店長、大きにありがとうございます。m(_ _)m
操作はスメ ハチと同じです。フィルム感度をセットすると絞りが決定されるので、後はお天気と相談しながらお天気マークを適当に合わせ、適当に距離を合わせて パチリとレリーズボタンを押せば撮影できます。ボタンはスメハチより軽い感じですね。詳しい操作方法はこちらを参考になさってくださ い
| LOMO SMENA35 仕様一覧 | |
| 形式 | 35mmコンパクトカメラ |
| 使用フィルム | 35ミリフィルム |
| 画面サイズ | 24x36ミリ |
| レンズ | T-43 40mm/F4 |
| ファインダー | 等倍ファインダー |
| 撮影距離 | 1m~無限遠 |
| フィルム感度設定 | ISO/ASA:25、50、100、200、400 |
| シャッター | 1/15~1/250秒、B |
| シンクロ接 点 | X接点、ホットシュー付き |
| 電源 | 不要 |
| 大きさ | 113x73x56mm |
| 重さ | 約190g |
| 関連ページ | 鈴木商店 LOMO SMENA35(鈴木商店内) SMENA35 秘密結社 SMENA35 Communist Cameras |









The OM-System was introduced by Olympus in 1972, more than a decade later than most of the, by then, well-established 35mm SLR brands. Its success must undoubtedly be attributed to Olympus’ chief designer Yoshihisa Maitani and his staff, certainly taking advantage of new technology and increased general 35mm SLR understanding. The nucleus of this system is the brilliantly conceived camera body of remarkably compact design, yet with possibly the best viewfinder in any 35mm SLR camera. The first model introduced was the all-mechanical M-1, soon renamed OM-1, with a full aperture TTL CdS exposure meter and a wide bayonet lens-mount, gradually complemented by several quite sophisticated models. The system is also associated with one of the finest ranges of optics ever made available, the OM-System Zuiko lenses, and a generous selection of accessories.
The Olympus OM-system camera range fall into two main groups of bodies, the ones discussed in this article, designated by one-digit model numbers, and the two-digit models OM-10/20/30/40 dealt with separately, having more relaxed specifications.
The OM-2N, based on the OM-2, has the same modifications plus:
All these models existed in chrome or black. According to this page of the OM Sales Information File, 25 examples of the black M-1 were made, and there was also a gold version of the OM-1n.
wiuu...best2...xde pe nak cerita...rasanya bleh la dtg jmpa kl teringin nak tengok..aksesori lengkap saya gabungkan dgn 50mm f1.8 om system n om2 winder original by OM system..
okay, c yaa later :)





The Rolleiflex SL35E was a 35mm SLR released by Rollei in 1978, successor of the Rolleiflex SL35M and SL35ME.
It had an all new electronic vertically running focal plane shutter, with flash sync to 1/125, and a SiO2 meter with aperture priority or manual exposure. The shutter speed was indicated by LEDs in the finder. It could accept an external winder or motor drive. An almost identical body was sold under the name Voigtländer VSL 3-E. Both took Rolleiflex SL35 lenses, and were sold in chrome or black. They were built in Singapore as their predecessors.
The Rolleiflex SL35E was abandoned in 1981 when Rollei went bankrupt. They had to close the Singapore plant, and they dropped the mid range SLRs to concentrate on high end products such as the Rolleiflex SL2000F.
hamboi2, ckp org puteh la kite yee..keh3...

All models of Yashica Electro are fitted with a stepless Copal electronic blade shutter, with flash sync at all speeds. The PC sync contact is placed on the left side of the camera, probably for aesthetic reasons. The Electro, G, GT, and GS models have a cold accessory shoe. The GSN and GTN models have a hot shoe.
All models are fitted with a Yashinon 1.7 45mm lens with a 55mm filter thread. On the G and later models, the lens is branded as a Color Yashinon, although it was otherwise identical. The closest focusing distance is 0.8m. The camera has three exposure modes: auto, B and flash. The first Electro has an ISO/ASA range of 15 to 500; all subsequent models have an ISO/ASA range of 25 to 1000. An ASA/DIN conversion chart is pasted to the inside of the back door.
penat x bace..ehehhe..saya malas nak translate...so, baca n paham2kan la ye..
best woo main filem ni, saya xtau la camne bleh terjebak, tapi tu la, ape yg ade kena mngena ngan amek gmbar tu yg boleh jatuh hati...fiuww..ingat tau, yg atas ni GTN version, bukan GSN..hehehe..tebayek dr ladang...
tenkiu smua...sila ke atas untuk baca koleksi baru saya :)
The Yashica Mat-124 G was made from 1970 till 1986 and was the last TLR produced by Yashica. Even if this type of camera seemed to be obsolete at the time of its appearence, the 124 G was a success.
The 124G has a four-element, 80mm F3.5 taking lens, of the better "Yashinon" variety. Focusing is via a ground glass screen, with a 3x diopter loupe for critical focusing, as well as a sports finder. The focusing screen is used with the camera at waist-level. The sportsfinder, incorporated in the focusing hood, is operational by pushing the front cover backwards. According to the Instruction Booklet, it comes in handy for snapshots or when shooting fast-moving objects at eye-level. No screen to check focus in this set-up though. The Copal shutter features speeds 1 to 1/500 sec., plus B.
The 124 and 124G are largely identical, save for trim (the Mat-124 G was all black) and electrical differences. The 124G pressure plate slides between 12-exposure and 24-exposure settings, while on the original 124 it pulls out and rotates. The 124G also features a coupled match-needle exposure meter, although it uses now-discontinued 1.3v mercury cells. Suitable air-zinc replacements and adapters for modern alkaline or silver oxide batteries may be obtained at camera stores and on the internet.
The 124(G) can handle both 120 and 220 film. The Yashica 12, 24, Mat-124 and Mat-124 G all accept Bay 1 accessories, such as those made for the Rolleiflex. An artificially inflated demand for the 124G has raised the price somewhat in the used market.
Since the Yashica camera basically is a Rolleiflex copy, the controls take a similar configuration. Build quality is very good. Yashica’s are considered to be an excellent choice for entry-level medium format. The 4-element 80mm f/3.5 Yashinon (taking) lens cannot be considered of equal quality compared to the Rollei’s, however it produces very good results, especially when stopped down to f 8-16.
yuhuuu..paham x?..kalau xpaham bleh tanya direct yep...aku suke design TLR yg camni, sbb rasa classic dia..hasil pakai kamera ni pon bukan main2 tau..lawa beb.cuma aku je amek burok agi, sbb jrg outing bwk mat124g nih, sbb xde tmpt develop yg ok utk format 6X6...mlysia insyallah aku main mat124g nih...keupayaan dia bleh bace yg kat atas tu, dia dh terangkan smua...hope dpt layan kamera2 koleksi lg selepas ini...
timekasih sudi bertandang :)

The Nikon F2 is a professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. (Nikon Corporation since 1988) in Japan from September 1971 to June 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000th second (up to 10 seconds using the self timer) plus Bulb and Time, and flash X-sync of 1/80th second. It had dimensions (with DE-1 head, see below) of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black.
The F2 is the second member of the long line of Nikon F-series professional level 35 mm SLRs that began with the Nikon F (manufactured 1959–1974) and followed each other in a sort of dynastic succession as the top-of-the-line Nikon camera. The other members were the F3 (1980–2001), F4 (1988–1996), F5 (1996–2005) and F6 (2004–present). The F-series do not share any major components...
kamera nikon F2 ni saya beli drpd seorg kawan. xmahal sgt n xmurah sangat.
antara koleksi yg paling saya syg.
:)
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